Kundalini or the Gong: Which Came First?

The Kundalini Connection
The Gong as a healing and meditative instrument has become extremely popular over the past few years. In fact, there's been a literal explosion of people playing Gongs. It's clear that for many, Yogi Bhajan and Kundalini Yoga have been their introduction to the Gong. Many others have been introduced to it by Don Conreaux, who was a student of Yogi Bhajan at one time. This has lead to many interesting conversations on FaceBook and elsewhere as to the origins of the Gong Bath™/Gong Meditation/etc.

Yes, Yogi Bhajan did a lot to introduce the USA to the Gong as a meditative device, but he is not the only one, or the only path. I have played Gongs for over 40 years, and up until a few years ago, my only knowledge of Yogi Bhajan was as the smiling face on my box of tea. I had no knowledge of his use of the Gong. And even though I've followed the career and writings of Don Conreaux for for 20 or 30 years, I had no real direct knowledge of his Gong connection to Yogi Bhajan. From what I can recall, Don never mentions Yogi Bhajan in any of his writings, except perhaps in passing.

Now the reason that I bring all this up is because Kundalini Yoga, and the use of the Gong, has really become big. It's HUGE! And that's cool. I think any promotion of the Gong as a positive force is great. But I do see some people so caught up in this that they think it's the original and only way of the Gong, so to speak.


The European Connection

My own connection to the Gong comes from Europe. There's a wealth of European jazz musicians who also use Gongs in their music. I purchased a lot of their recordings and tried to find out as much information about them as I could. People like Pierre Favre, Andrea Centazzo, Fredy Studer, Gunter 'Baby' Sommer, Detlef Schönenberg, Pierre Moerlen, and others. 

But there is also a great tradition of using Gongs for therapy in Europe. People like Michael Jüllich and Jens Zyger are pioneers in using Gongs and drums in sound therapy. And Jens collaborated with Swiss mathematician Hans Coustou, and Paiste, to create the Planet Gong Series. I took a lot of cues from them, as well as  Christopher Tree (an American, but he resided in Europe for many years). Then there is the pioneering 1989 book, The Healing Power of the Gong, by Johannes Heimrath. My copy is well worn from having traveled so many miles with me. Unfortunately, the book is long out of print, and copies of it are going for a tidy price.


My well worn copy

And then there's Frank Perry, who I've mentioned many times in this blog. My own journey has paralleled his in many ways. Much like Frank, I started out playing drums in rock and blues bands, then moved into more progressive and free form music, eventually giving up drum set altogether in favor of resonating metals and the exploration of unknown realms. I've devoured all of Frank's writings and recordings, seeing them as signposts along my own path.


Frank Perry's remarkable book

Connections of the Heart & Soul

I'm sure that your own story is unique and personal. I would encourage everyone to explore the many different sound artists out there who came from varied traditions (I've only mentioned 2, but there are many more), as they may have ideas that can add to your own practice.

There are many paths that lead to the same destination. ~ Singal Rinpoche


~ MB

Chop Wood | Carry Water | Play Gongs™








Comments

  1. Excellent article! Thinking of origins with all of this, isn't it the case that the "TM" behind Gong Bath is held by Richard Rudis? That's what it seems to indicate on his website at http://sacredsoundgongbath.com/about-richard.html.

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  2. Yes, Richard Rudis did unfortunately trade mark a common term that he did not invent and that was used long before he used it. But that's another story…

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  3. Thanks Michael. for your posts and blog, its my favourite gong book...and feel honoured to have it ! Johannes Heimrath and the healing power of the gong.
    ive never liked very much or used the term "gong Bath" , maybe its because it doesnt translate well into spanish and ive always prefered to go my own way!

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  4. Thanks Michael for the names of musiciains in Europe who have used gong creatively in their *music* - pretty cool! this intro in particular - https://www.youtube.com/watch?v=Hy_ZYNHUXN4

    However in our Gong community and conversations it is important to understand there is a difference between playing the gong, and letting the Gong play you. There is organized sound (music) and unorganized sound (the Cosmic Hum). I'm walking that line often. I consider it a fail if those receiving my gong tone immersion can 'hear me thinking' and so part of ther brain is wondering what I'm going to do next rather than surrendering floating in Turiya.

    Sidenote: I hold the domain 'gong bath' although I never use the term. I'm holding it as it was a common term used in the Kundalini community (eons ago) from which Don Conreaux (fomerly Guru Jagat Singh) got his first exposure to the Gong - so I hold it for posterity.

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